Saints, but the signification of this interesting representation can scarcely be mistaken; the heavenly guidance, which fixed the wanderings of the pious recluse in the woodland waste of this hill country of Worcestershire, and pointed out the site of the primitive Christian foundation in that district, appears undeniably to be here set forth and commemorated.
In the next pane may be noticed a similar twofold disposition of the subject represented. In the lower part appears the same hermit, clad in russet as before, the epithet Martir being, perhaps accidentally, omitted in the inscription. In the superior division are again seen the four angels vested in like manner in albs, which have apparels on the sleeves, over the wrists; and these celestial messengers are engaged in the dedication of the oratory, which, as it may be supposed, had been raised by St. Werstan on the spot miraculously pointed out to him in the vision. The angels elevate their right hands, as before, in benediction; one bears a processional cross; another, who approaches the closed entrance of the chapel, bears the thurible, and seems prepared to knock against the door, and cry aloud, according to the impressive ancient ritual of the Latin church, "Lift up your heads, O ye gates, and be ye lifted up, ye everlasting doors, that the King of Glory may come in!" A third angel bears the cross-staff, and raises the aspergillum, or hyssop, as if about to sprinkle with holy water the newly completed edifice; whilst the fourth touches the bell, which is suspended in an open turret, surmounted by a spire and finial cross. The roof of the chapel is coloured blue, as if to represent a covering formed of lead. In this pane we must at once recognise the representation of a miraculous dedication of the chapel, which had been built by the hermit Saint in obedience to a vision from above, and was now consecrated by the same ministering spirits who had been sent forth to direct him to undertake its construction. It is interesting to compare this subject with the curious drawing, preserved at Cambridge, which may be seen in a series of representations illustrative of the life of Edward the Confessor; amongst these occurs the miraculous dedication of the church of St. Peter, at Westminster, by the arch-apostle in person, according to the legendary history; St. Peter is there seen accompanied by angels, who perform the services of the attendant acolytes, in singular and close conformity with the curious representation at Great Malvern, above described.
