cited as a specimen of the first quality, either for composition or feeling. The alti-rilievi, in the chapter-house at Salisbury[1], have been suggested by very able compositions, and the scroll ornaments in the chancel of the church at Stone, in Kent, are amongst the most beautiful specimens of their age. An example of goldsmith's work of this early period may merit notice, namely, the "pulchra Mariola," or image of the Blessed Virgin, mentioned by Matthew of Paris as the work of Walter of Colchester.
The number of artists in England during the reigns of Henry III. and Edward I. must have been considerable. It may, however, be questioned whether native painters and sculptors, of sufficient talent, could have been readily found in the provinces by the sheriffs, or other king's officers, usually appointed to direct the construction or repairs of public buildings. But if we consider the partiality of Henry for foreigners, the constant communication with Rome, and that a considerable portion of the benefices in England were held at that period by foreigners, it may appear reasonable to assume, that these circumstances must have materially influenced the employment of the artists of southern Europe; I have little doubt, from the peculiarities of taste which arose at that time, not only in England, but generally throughout the north of Europe, that it was induced by their introduction.
It was about this period that the separation of the artists employed in the Pisan School took place.
I am far from desiring to derogate from the fair claims of my countrymen; I am, however, disposed to think that, in the good Art of those ages, although the greater part may have been executed by English artists, the taste and direction was due to foreigners; indeed, from the intercourse which subsisted in the thirteenth century between England and Italy, I must candidly state my opinion, that we owe the finest examples of our monumental sculpture to the taste and suggestions of Italians. It is clear, from the general accordance and similarity in the character of Art, that these works can only be attributed to those men who had received their education, and perfected their style, in the school of Italy.
Abbot Ware is said to have brought, about the year 1260, certain workmen and rich materials for the shrine of the Confessor at Westminster Abbey, and reference is also made to
- ↑ See representations in Britton's Salisb. Cath., pl. xxiii.
