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It is not probable that the broader caricature of the great philosopher, any more than that of Cleon in 'The Knights,' had any special effect upon the popularity of its object. The story told by Ælian, that the subsequent condemnation of Socrates was due in great measure to the prejudice raised against him by this comedy, has been long refuted by the observation that it at least did not take place until more than twenty years after the performance. A traditionary anecdote of a very different kind, though resting upon not much better authority, has more of probability about it,—that the philosopher himself, having been made aware of what was in store for him, took his place among the audience at the representation, and laughed as heartily as any of them: nay, that he even rose and mounted upon a bench, in order that the strangers in the house to whom his person was previously unknown might see how admirable a counterpart the stage Socrates was of the original.