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THE ARROW OF GOLD
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to be dragged along all the gutters where that man picks up his living."

She had thrown her head back a little but there was no scorn, no angry flash under the dark-lashed eyelids. The words did not ring. I was struck for the first time by the even, mysterious quality of her voice.

"Will you let me suggest," said Mills, with a grave, kindly face, "that being what you are, you have nothing to fear?"

"And perhaps nothing to lose," she went on without bitterness. "No. It isn't fear. It's a sort of dread. You must remember that no nun could have had a more protected life. Henry Allègre had his greatness. When he faced the world he also masked it. He was big enough for that. He filled the whole field of vision for me."

"You found that enough?" asked Mills.

"Why ask now?" she remonstrated. "The truth—the truth is that I never asked myself. Enough or not there was no room for anything else. He was the shadow and the light and the form and the voice. He would have it so. The morning he died they came to call me at four o'clock. I ran into his room bare-footed. He recognized me and whispered, 'You are flawless.' I was very frightened. He seemed to think, and then said very plainly, 'Such is my character. I am like that.' These were the last words he spoke. I hardly noticed them then. I was thinking that he was lying in a very uncomfortable position and I asked him if I should lift him up a little higher on the pillows. You know I am very strong. I could have done it. I had done it before. He raised his hand off the blanket just enough to make a sign that he didn't want to be touched. It was the last