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ARROWSMITH
9

without restriction, to speak of himself as immoral, agnostic, and socialistic, so long as it was universally known that he remained pure, Presbyterian, and Republican. Dr. Brumfit was in form, to-night. He asserted that whenever a man showed genius, it could be proved that he had Jewish blood. Like all discussions of Judaism at Winnemac, this led to the mention of Max Gottlieb, professor of bacteriology in the medical school.

Professor Gottlieb was the mystery of the university. It was known that he was a Jew, born and educated in Germany, and that his work on immunology had given him fame in the East and in Europe. He rarely left his small brown weedy house except to return to his laboratory, and few students outside of his classes had ever identified him, but every one had heard of his tall, lean, dark aloofness. A thousand fables fluttered about him. It was believed that he was the son of a German prince, that he had immense wealth, that he lived as sparsely as the other professors only because he was doing terrifying and costly experiments which probably had something to do with human sacrifice. It was said that he could create life in the laboratory, that he could talk to the monkeys which he inoculated, that he had been driven out of Germany as a devil-worshiper or an anarchist, and that he secretly drank real champagne every evening at dinner.

It was the tradition that faculty-members did not discuss their colleagues with students, but Max Gottlieb could not be regarded as anybody's colleague. He was impersonal as the chill northeast wind. Dr. Brumfit rattled:

"I'm sufficiently liberal, I should assume, toward the claims of science, but with a man like Gottlieb— I'm prepared to believe that he knows all about material forces, but what astounds me is that such a man can be blind to the vital force that creates all others. He says that knowledge is worthless unless it is proven by rows of figures. Well, when one of you scientific sharks can take the genius of a Ben Jonson and measure it with a yardstick, then I'll admit that we literary chaps, with our doubtless absurd belief in beauty and loyalty and the world o' dreams, are off on the wrong track!"'

Martin Arrowsmith was not exactly certain what this meant and he enthusiastically did not care. He was relieved when Professor Edwards from the midst of his beardedness and smokiness made a sound curiously like "Oh, hell!" and took