Brodie rose and, with a nod to Loraine, went out, unsteadily, now that the effect of the cocaine had worn off. One wondered how this shuffling person could ever have carried through the wild dance. It was not Brodie who danced. It was the drug.
The dip slipped out after him, followed by the woman. We rose and followed also. Across the city Brodie slouched his way, with an evident purpose, it seemed, of replenishing his supply and continuing his round of peddling the stuff.
He stopped under the brow of a thickly populated tenement row on the upper East Side, as though this was his destination. There he stood at the gate that led down to a cellar, looking up and down as if wondering whether he was observed. We had slunk into a doorway.
A woman coming down the street, swinging a chatelaine, walked close to him, spoke, and for a moment they talked.
"It's the gun-moll," remarked Kennedy. "She's getting Brodie off his guard. This must be the root of that grapevine system, as they call it."
Suddenly from the shadow of the next house a stealthy figure sprang out on Brodie. It was our dip, a dip no longer but a regular stick-up man, with a gun jammed into the face of his victim and a broad hand over his mouth. Skilfully the woman went through Brodie's pockets, her nimble fingers missing not a thing.
"Now—beat it," we heard the dip whisper hoarsely, "and if you raise a holler, we'll get you right, next time."
