THE HILL OF DREAMS
ments that should be entirely useless he had gained some skill in illumination, or limning as he preferred to call it, always choosing the obscurer word as the obscurer arts. First he set himself to the severe practice of the text; he spent many hours and days of toil in struggling to fashion the serried columns of black letter, writing and re-writing till he could shape the massive character with firm true hand. He cut his quills with the patience of a monk in the scriptorium, shaving and altering the nib, lightening and increasing the pressure and flexibility of the points, till the pen satisfied him, and gave a stroke both broad and even. Then he made experiments in inks, searching for some medium that would rival the glossy black letter of the old manuscripts; and not till he could produce a fair page of text did he turn to the more entrancing labour of the capitals and borders and ornaments. He mused long over the Lombardic letters, as glorious in their way as a cathedral, and trained his hand to execute the bold and flowing lines; and then there was the art of the border, blossoming in fretted splendour all about the page. His cousin, Miss Deacon, called it all a great waste of time, and his father thought he would have done
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