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THE SHADOW
45

pencil drawing of the Secret Service man during the very moments the latter was smilingly denying them either a statement or a photograph. Blake knew that publicity would impair his effectiveness. Some inner small voice forewarned him that all outside recognition of his calling would take away from his value as an agent of the Secret Service. But his hunger for his rights as a man was stronger than his discretion as an official. He said nothing openly; but he allowed inferences to be drawn and the artist's pencil to put the finishing touches to the sketch.

It was here, too, that his slyness, his natural circuitiveness, operated to save him. When the inevitable protest came he was able to prove that he had said nothing and had indignantly refused a photograph. He completely cleared himself. But the hint of an interesting personality had been betrayed to the public, the name of a new sleuth had gone on record, and the infection of curiosity spread like a mulberry rash from newspaper office to newspaper office. A representative of the press, every