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PHANTOMS OF REALITY
61

There were stringed instruments playing now; deep-toned, singing zithers, and instruments of rounded, swelling bodies, like great viols with sensuous, throbbing voices. Music with a swift rhythm, marked by the thump of hollow gourds. It rose with its voluptuous swell into a paean of abandonment, and upon the tide of it, the crimson Sensua flung herself upon the stage. She stood motionless for a moment that all might regard her. The crimson torchlight bathed her, stained crimson the white flush of her limbs, her heavy shoulders, her full, rounded throat.

A woman in her late twenties. Voluptuous of figure, with crimson veils half-hiding, half-revealing it. A face of coarse, sensuous beauty. A face wholly evil, and it seemed to me wholly debauched. Dark eyes with beaded lashes. Heavy lips painted scarlet. A pagan woman of the streets. One might have encountered such a woman swaggering in some ancient street of some ancient city, flaunting the finery given her by a rich and profligate eastern prince.

She stood a moment with smoldering, passion-filled eyes, gazing from beneath her lowered lids. Her glance went to the king's canopy, and flashed a look of confidence, of triumph. The king answered it with a smile. He leaned forward over his railing, watching her intently.

With the surge of the music she moved into her dance. Slowly she began, quite slowly. A posturing and swaying of hips like a nautch girl. She made the rounds of the musicians, leering at them. She stood in the whirl of the music, almost ignoring it, stood at the front of the stage with a gaze of slumbrous, insolent passion flung at the king. A knife was in her hand now. She held it aloft. The red torchlight caught its naked blade. With shuddering fancy I seemed to see it dripping crimson. She frowned, and struck it at a phantom lover. She backed away. She stooped and knelt. She knelt and seemed with her empty arms to be caressing a murdered lover's head. She kissed him, rained upon his dead lips her macabre kisses.

And then she was up on her bare feet, again circling the stage. Her anklets clanked as she moved with the tread of a tigress. The musicians shrank from her waving blade.

A GIRL in white veils was suddenly disclosed standing at the back of the stage.

Derek whispered, "Is that Blanca?"

"Yes," whispered Hope.

Blanca stood watching her rival. The crimson Sensua passed her, took her suddenly by the wrist, drew her forward. For an instant I thought it might have been rehearsed. I saw Blanca as a slim, gentle girl in white, with a white head-dress. A dancer who could symbolize purity, now in the grip of red passion.

An instant, and then horror struck us. And I could feel it surge over the audience. A gasp of horror. The frightened girl in white tried to escape. The musicians wavered and broke. I stared, stricken, with freezing blood. Upon the stage the knife went swiftly up; it came down; then up again. The read Sensua stood gloating. The knife she waved aloft was truly dripping crimson now.

With a choked, gasping scream the white girl of the toilers crumpled and fell. ... She lay motionless, at the feet of the crimson murderess.

CHAPTER VIII

"Why, This Is Treason!"

THERE was a gasp. The audience sat frozen. On the stage, with no one lifting a hand to stop her, the crimson murderess made a leap and vanished. A moment, and then the spell broke. A girl in the audience screamed. Some one moved to stand up and overturned a seat with a crash.

The amphitheater under the canopy broke into a pandemonium. Screams