cords from which were suspended large tassels of silk and gold. The floor was covered entirely with carpets of the richest silk, of immense length and breadth. A tent, called the aspek, was pitched outside [in the court], larger than the hall, to which it joined by the top. It spread over half the court, and was completely enclosed by a great balustrade, covered with plates of silver. Its supporters were pillars overlaid with silver, three of which were as thick and as high as the mast of a barque, the others smaller. The outside of this magnificent tent was red, and the inside lined with elegant Masulipatan chintzes, figured expressly for that very purpose with flowers so natural and colours so vivid that the tent seemed to be encompassed with real parterres.
'As to the arcade galleries round the court, every Omrah had received orders to decorate one of them at his own expense, and there appeared a spirit of emulation who should best acquit himself to the Monarch's satisfaction. Consequently all the arcades and galleries were covered from top to bottom with brocade, and the pavement with rich carpets.'
The scene described so minutely by Bernier was exceptionally brilliant, and the reason assigned for the unusual splendour and extravagance of the decorations was Aurangzíb's benevolent desire to afford the merchants an opportunity for disposing of the large stock of brocades and satins which had been accumulating in their warehouses during the unprofitable years of the war of succession. But festivals of similar though less magnificence were held every year, on certain anniversaries, of which the chief was the Emperor's birthday, when, in accordance with time-honoured precedent, he was solemnly weighed
