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AURORA LEIGH.

Just motioned for the smile and let it go.
And then, with scarce a stirring of the mouth,
As if a statue spoke that could not breathe,
But spoke on calm between its marble lips,—
‘I’m glad, I’m very glad you clear me so.
I should be sorry that you set me down
With harlots, or with even a better name
Which misbecomes his mother. For the rest
I am not on a level with your love,
Nor ever was, you know,—but now am worse,
Because that world of yours has dealt with me
As when the hard sea bites and chews a stone
And changes the first form of it. I’ve marked
A shore of pebbles bitten to one shape
From all the various life of madrepores;
And so, that little stone, called Marian Erle,
Picked up and dropped by you and another friend,
Was ground and tortured by the incessant sea
And bruised from what she was,—changed! death’s a change,
And she, I said, was murdered; Marian’s dead.
What can you do with people when they are dead,
But, if you are pious, sing a hymn and go;
Or, if you are tender, heave a sigh and go,
But go by all means,—and permit the grass
To keep its green feud up ’twixt them and you?
Then leave me,—let me rest. I’m dead, I say.
And if, to save the child from death as well,
The mother in me has survived the rest,
Why, that’s God’s miracle you must not tax,—