Page:Aurora Leigh a Poem.djvu/58

Of minnow gods, nymphs here, and tritons there;
The polytheists have gone out in God,
That unity of Bests. No best, no God!—
And so with art, we say. Give art’s divine,
Direct, indubitable, real as grief,—
Or leave us to the grief we grow ourselves
Divine by overcoming with mere hope
And most prosaic patience. You, you are young
As Eve with nature’s daybreak on her face;
But this same world you are come to, dearest coz,
Has done with keeping birthdays, saves her wreaths
To hang upon her ruins,—and forgets
To rhyme the cry with which she still beats back
Those savage, hungry dogs that hunt her down
To the empty grave of Christ. The world’s hard pressed;
The sweat of labour in the early curse
Has (turning acrid in six thousand years)
Become the sweat of torture. Who has time,
An hour’s time . . think! . . to sit upon a bank
And hear the cymbal tinkle in white hands?
When Egypt’s slain, I say, let Miriam sing!—
Before . . where’s Moses?’
⁠‘Ah—exactly that!
Where’s Moses?—is a Moses to be found?—
You’ll seek him vainly in the bulrushes,
While I in vain touch cymbals. Yet, concede,
Such sounding brass has done some actual good,
(The application in a woman’s hand,
If that were credible, being scarcely spoilt,)

In colonising beehives.’