ness" even in the presence of most terrible death throes; and it is well that it is so, for man, who cannot stand suffering and death, would make a very bad nurse. A man would want to assuage the pain and ward off death; in a word, he would want to help; where there is nothing to be done he is better away; it is only then that nursing is justified and that woman offers herself for it. But it would be quite wrong to regard this capacity of women in an ethical aspect.
Here it may be said that for woman the problem of solitude and society does not exist. She is well adapted for social relations (as, for instance, those of a companion or sick-nurse), simply because for her there is no transition from solitude to society. In the case of a man, the choice between solitude and society is serious when it has to be made. The woman gives up no solitude when she nurses the sick, as she would have to do were she to deserve moral credit for her action; a woman is never in a condition of solitude, and knows neither the love of it nor the fear of it. The woman is always living in a condition of fusion with all the human beings she knows, even when she is alone; she is not a "monad," for all monads are sharply marked off from other existences. Women have no definite individual limits; they are not unlimited in the sense that geniuses have no limits, being one with the whole world; they are unlimited only in the sense that they are not marked off from the common stock of mankind.
This sense of continuity with the rest of mankind is a sexual character of the female, and displays itself in the desire to touch, to be in contact with, the object of her pity; the mode in which her tenderness expresses itself is a kind of animal sense of contact. It shows the absence of the sharp line that separates one real personalty from another. The woman does not respect the sorrow of her neighbour by silence; she tries to raise him from his grief by speech, feeling that she must be in physical, rather than spiritual contact with him.
This diffused life, one of the most fundamental qualities of the female nature, is the cause of the impressibility of all
