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FUROR ILLYRICUS
39

service had expired. He was a very different man from that poor, miserable musician, Pero.

The wedding day had come.

Through the multitude of carriages of an unbelievable range of styles, we made our way along the sand of the highway, then through tremulous chestnuts to the cathedral. There in the dusky, gold-shimmering interior the ceremony was performed according to the rites of the Eastern church.

Upon huge silver platters of an antique and barbarous make, bread was offered by young priests, who wore long hair. Noiselessly these two young priests walked in and out of the doors of the painted wall which hides the altar from the curious. Sometimes they carried heavy altar books and sometimes silver vessels.

Lower sinks the white-veiled head of the bride, who, with the handsome, earnest soldier, was kneeling by the front bench. Louder rose the shattering thunder of the chorus, with its strange rhythm, its monotonous repetitions in a long forgotten language. Like trumpets that mysterious singing rings out, then there comes the deep bell tone, and from the door to the right—seen through a cloud