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THE OPEN DOOR
53

teruped their thoughts by laughing. They looked up and he nodded toward the front, where they saw that anxious eyes from all parts of the room were focused on the open door. Then they noticed that it had been removed. The air of semi-hostile, semi-anxious inquiry of the patrons and the smile of satisfaction covering the face of Baum appealed to them as the most ludicrous sight their eyes had seen for months, and they leaned back and roared with laughter, thus calling forth sundry looks of disapproval from the innocent causers of their merriment. But they were too well known in Albuquerque to allow the disapproval to approach a serious end, and finally, as the humorous side of the situation dawned on the crowd, they joined in the laugh and all went merrily.

At the psychologic moment some one shouted for a dance and the suggestion met with uproarious approval. At that moment Harris, the sheriff, came in and volunteered to supply the necessary music if the crowd would pay the fine against a straying fiddler he had corraled the day before. A hat was quickly passed and a sum was realized which would pay several fines to come and Harris departed for the music.

A chair was placed on the bar for the musician and, to the tune of "Old Dan Tucker" and an assortment of similar airs, the board floor shook and trembled. It was a comical sight and Hopalong, the only wallflower besides Baum and the sheriff, laughed until he became weak. Cow punchers play as they work, hard and earnestly, and there was plenty of action. Sombreros flapped like huge wings and the baggy chaps looked like small, distorted balloons.

The Virginia reel was a marvel of supple, exaggerated grace and the quadrille looked like a free-for-all for unbroken colts. The honor of prompter was conferred upon the sheriff, and he gravely called the changes as they were usually called in that section of the country: