as a shadow; down a little way it tumbled with a roar over rocks; then there was another pool, and another cascade; and so on, out of view; and bridges and pools and resounding cascades said, plainly as inarticulate things can tell a story, the river was running by permission of a master, exactly as the master would have it, tractable as became a servant of the gods.
Forward from the bridge he beheld a landscape of wide valleys and irregular heights, with groves and lakes and fanciful houses linked together by white paths and shining streams. The valleys were spread below, that the river might be poured upon them for refreshment in days of drought, and they were as green carpets figured with beds and fields of flowers, and flecked with flocks of sheep white as balls of snow; and the voices of shepherds following the flocks were heard afar. As if to tell him of the pious inscription of all he beheld, the altars out under the open sky seemed countless, each with a white-gowned figure attending it, while processions in white went slowly hither and thither between them; and the smoke of the altars half-risen hung collected in pale clouds over the devoted places.
Here, there, happy in flight, intoxicated in pause, from object to object, point to point, now in the meadow, now on the heights, now lingering to penetrate the groves and observe the processions, then lost in efforts to pursue the paths and streams which trended mazily into dim perspectives to end finally in— Ah, what might be a fitting end to scene so beautiful! What adequate mysteries were hidden behind an introduction so marvellous! Here and there, the speech was beginning, his gaze wandered, so he could not help the conviction, forced by the view, and as the sum of it all, that there was peace in the air and on the earth, and invitation everywhere to come and lie down here and be at rest.
Suddenly a revelation dawned upon him—the Grove was, in fact, a temple one—far-reaching, wall-less temple!
Never anything like it!
The architect had not stopped to pother about columns and porticos, proportions or interiors, or any limitation
