The Russian School of Painting
goes north and brings from there views of uncouth provincial towns and bizarre village churches—typical, poetical pictures, of an excellent style. He is now absorbed by totally different themes, and if he will remain faithful to them in the future, there will be no ground for classifying him with the realists. One thing can be said with full assurance: the years Grabar spent in diligently studying his "trade" at München were not in vain. He is a master in the full sense of the word, knowing his business firmly and from all angles. He is one of the few Russian artists whose attitude toward their work is fully conscious. Consequently, whatever Grabar may turn to in the future, it may be confidently expected that it will be creditable work,—that there will be in it neither dilettantism, nor bad taste, nor triviality.
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