Like big drops of transparent glass, the hours and the minutes fell from an immeasurable height into a metallic basin that was vibrating gently. Sometimes they were like birds that passed.
Into the cells came, day and night, this single sound. It penetrated through the roof, through the thick stone walls; it alone broke the silence. Sometimes they forgot it, or did not hear it. Sometimes they awaited it with despair; they lived only by and for this sound, having learned to be distrustful of silence. The prison was reserved for criminals of note; its special, rigorous regulations were as rigid and sharp as the corners of the walls. If there is nobility in cruelty, then the solemn, deaf, dead silence that caught up every breath and every rustle was noble.
In this silence, penetrated by the desolate striking of the flying minutes, three men and two women, separated from the world, were awaiting the coming of the night, of the dawn, and of the execution; and each was preparing for it in his own fashion.
Throughout her life Tanya Kovalchuk had thought only of others, and now also it was for her comrades that she underwent suffering and torture. She pictured death to herself only because it threatened Sergey Golovin, Musya, and the others; but her thoughts did not dwell on the fact that she too would be executed.
As if to reward herself for the artificial firmness that she had shown before the judges, she wept for hours altogether. This is characteristic of old women who have suffered much. When it occurred to her that Sergey might be un-
