of all kinds of good things suffer the most. In this Concordance the general reader, moreover, may find much to delight him. Johnson's trade was wit and wisdom[1], and some of his best wares are here set out in a small space. It was, I must confess, with no little pleasure that in revising my proof-sheets I found that the last line in my Concordance and the last line in my six long volumes is Johnson's quotation of Goldsmith's fine saying: 'I do not love a man who is zealous for nothing.'
In the 'forward' references in the notes to other passages in the book, the reader may be surprised at finding that while often I only give the date under which the reference will be found, frequently I am able to quote the page and volume. The explanation is a simple one: two sets of compositors were generally at work, and two volumes were passing through the press simultaneously.
In the selection of the text which I should adopt I hesitated for some time. In ordinary cases the edition which received the author's final revision is the one which all future editors should follow. The second edition, which was the last that was brought out in Boswell's lifetime, could not, I became convinced, be conveniently reproduced. As it was passing through the press he obtained many additional anecdotes and letters. These he somewhat awkwardly inserted in an Introduction and an Appendix. He was engaged on his third edition when he died. 'He had pointed out where some of these materials should be inserted,' and 'in the margin of the copy which he had in part revised he had written notes[2].' His interrupted labours were completed by Edmond Malone, to whom he had read aloud almost the whole of his original manuscript, and who had helped him in the revision of the first half of the book when it was in type[3]. 'These notes,' says Malone, 'are faithfully preserved.' He
