WORKING WITH MARK TWAIN
dull winter daylight, from the north, while the walls of the room were a deep, unreflecting red.
He began that morning with some memories of the Comstock mine; then he dropped back to his childhood, closing at last with some comment on matters quite recent. How delightful it was—his quaint, unhurried fashion of speech, the unconscious habits of his delicate hands, the play of his features as his fancies and phrases passed through his mind and were accepted or put aside. We were watching one of the great literary creators of his time in the very process of his architecture. Time did not count. When he finished, at last, we were all amazed to find that more than two hours had slipped away.
"And how much I have enjoyed it," he said. "It is the ideal plan for this kind of work. Narrative writing is always disappointing, The moment you pick up a pen you begin to lose the spontaneity of the personal relation, which contains the very essence of interest. With short-hand dictation one can talk as if he were at his own dinner-table—always an inspiring place. I expect to dictate all the rest of my life, if you good people are willing to come and listen to it."
The dictations thus begun continued steadily from week to week, with increasing charm. We never knew what he was going to talk about, and it was seldom that he knew until the moment of beginning. But it was always fascinating, and I felt myself the most fortunate biographer in the world, as indeed I was.
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