WORKING WITH MARK TWAIN
quickly and without reflection, gave imagination less play. Sometimes he would touch some point of special interest and walk up and down, philosophizing, or commenting upon things in general, in a manner not always complimentary to humanity and its progress.
I seldom asked him a question during the dictation or interrupted in any way, though he had asked me to stop him when I found him repeating or contradicting himself, or misstating some fact known to me. At first I lacked the courage to point out a mistake at the moment, and cautiously mentioned the matter when he had finished. Then he would be likely to say:
"Why didn't you stop me? Why did you let me go on making a donkey of myself when you could have saved me?"
So then I used to take the risk of getting struck by lightning, and nearly always stopped him in time. But if it happened that I upset his thought, the thunderbolt was apt to fly. He would say:
"Now you've knocked everything out of my head."
Then, of course, I was sorry and apologized, and in a moment the sky was clear again. There was generally a humorous complexion to the dictations, whatever the subject. Humor was his natural breath of life, and rarely absent.
Perhaps I should have said sooner that he smoked continuously during the dictations. His cigars were of that delicious fragrance which belongs to domestic tobacco. They were strong and inexpensive, and it was only his early training that made him prefer
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