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The Count de Marolles at Home.
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duchesses and countesses; but have you never seen their faces in the crowd when you least looked to meet them?

Through the foliage and rich blossoms in the conservatory, and through the white damask curtains of the long French window, the autumn sunshine comes with subdued light into a boudoir on the second floor of a large house in Park Lane. The velvet-pile carpets in this room and the bedchamber and dressing room adjoining, are made in imitation of a mossy ground on which autumn leaves have fallen; so exquisite, indeed, is the design, that it is difficult to think that the light breeze which enters at the open window cannot sweep away the fragile leaf, which seems to flutter in the sun. The walls are of the palest cream-colour, embellished with enamelled portraits of Louis the Sixteenth, Marie Antoinette, Madame Elizabeth, and the unfortunate boy prisoner of the Temple, let into the oval panels on the four sides of the room. Everything in this apartment, though perfect in form and colour, is subdued and simple; there are none of the buhl and marqueterie cabinets, the artificial flowers, ormolu clocks, French prints, and musical boxes which might adorn the boudoir of an opera-dancer or the wife of a parvenu. The easy-chairs and luxurious sofas are made of a polished white wood, and are covered with white damask. On the marble mantelpiece there are two or three vases of the purest and most classical forms; and these, with Canovo's bust of Napoleon, are the only ornaments in the room. Near the fireplace, in which burns a small fire, there is a table loaded with books, French, English, and German, the newest publications of the day; but they are tossed in a great heap, as if they had one by one been looked at and cast aside unread. By this table there is a lady seated, whose beautiful face is rendered still more striking by the simplicity of her black dress.

This lady is Valerie de Lancy, now Countess de Marolles; for Monsieur Marolles has expended some part of his wife's fortune upon certain estates in the south of France which give him the title of Count de Marolles.

A lucky man, this Raymond Marolles. A beautiful wife, a title, and an immense fortune are no such poor prizes in the lottery of life. But this Raymond is a man who likes to extend his possessions; and in South America he has established himself as a banker on a large scale, and he has lately come over to England with his wife and son, for the purpose of establishing a branch of this bank in London. Of course, a man with his aristocratic connections and enormous fortune is respected and trusted throughout the continent of South America.

Eight years have taken nothing from the beauty of Valerie de Marolles. The dark eyes have the same fire, the proud head the same haughty grace; but alone and in repose the face has a