carry out an old desire of my heart. You shall hear of me directly I feel myself at liberty to tell you more.—Always lovingly yours, Hilda."
"An old desire of her heart," said Bothwell slowly, staring at the letter, with the keenest mortification expressed in his countenance.
That cheerfulness which Hilda had assumed in her letter to the governess smote her lover to the heart. A man's mind is not subtle enough to cope with the subtleties of a woman's conduct. Hilda's chief aim in writing that letter had been to hoodwink the Fräulein, to satisfy her with the assurance that she, Hilda, was going away from home in tranquil spirits and with hopeful views of the future. Bothwell saw in this cheery letter the evidence of a stony heart, a heart that had never loved him.
"'An old desire of her heart,'" he repeated, with a helpless air. "What can that mean?"
"I haven't a notion," replied the Fräulein, reflecting his helplessness upon her own commonplace countenance, "unless it were that she has an idea of going on the stage. So many girls are mad about the stage nowadays. And Hilda is so pretty. I know when we had private theatricals here last Christmas for the twins' juvenile party, everybody was in raptures with Hilda's acting. People told her she would make a great sensation if she were to appear in London."
"People are a parcel of idiots!" cried Bothwell savagely. "Yes, I remember the theatricals. I was at the party, you know; and there was a cub who made love to Hilda. Yes, I remember."
The cub in question was the eldest son of a neighbouring landowner, and heir to a fine estate; but Bothwell had looked on the innocent lad with abhorrence, even in those early days when his own attachment to Hilda had been in its dawn.
"No, she would not think of going on the stage," said Bothwell, after a pause, during which he had paced up and down the room two or three times in an agitated way; "that is impossible. She would not be mad enough for that. There must be something else. The desire of her heart. What can it mean?"
The Fräulein could not offer any suggestion, except that idea of the stage. "She is so passionately fond of Shakespeare," she said. "I have heard her recite the whole of Juliet and Portia without faltering. She has such a memory. I shouldn't be surprised if she were to come out as Juliet at Covent Garden next week."
Miss Meyerstein's sole knowledge of the London stage was derived from biographies of the Kembles and their contempo-
