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BRAZILIAN TALES

preserved all the attractiveness of youth,—a black moustache, a vigorous, yet graceful figure, eyes still bright, charming and wide-awake,—Monjardin, without knowing it, had conquered Zézé.

This had come about in a rather curious manner. Finding the conversation of Fabio's wife and daughters too commonplace, Monjardin, when he would recite some of his poems or tell some story connected with his literary life, preferred to address Maria-José, whom he saw to be of a serious and impressive nature.

"Let's have another poem, please, Mr. Monjardin!" she would ask in supplicating tone. "For instance, that one you call 'Regrets.' You know?"

And then he would describe in his verse the grief of a heart, disillusioned and broken by the cruelties of fate, that evoked in vain the remembrance of yesterday's lost loves, vanished in the mists of eternal despair.

He recited these bitter griefs in a strong, healthy man's voice, erect in the center of the parlor, looking mechanically, distractedly at Maria-José with his dreamy eyes; the concentrated effort of his memory brought to his face an involuntary immobility which