SWORD-FURNITURE
what deep, clear, and strong. His designs suggest the feeling experienced when, looking out under the bamboo blinds from the upper room of a lofty riverside dwelling, one sees the moon rise on an autumn evening. This artist succeeded to the pension of his father Kenjō, and used to live in Kanazawa (chief town of Kaga) every second year. In the house that he inhabited there may still be seen a stone garden-ewer with the figure of Hakuga (a Chinese poet) engraved on it by the chisel of Teijō. It is said that during Teijō's time the Goto family employed a number of Kyōtō chisellers to do rough work.
10. Renjō, called also Mitsutomo, son of Sokujō, was born in 1626 and died 1708. His work is gentle and magnanimous in tone. It reminds one of the quiet, subdued style in which the story of Akashi is told by the author of the Minamoto Annals (Genji Monogatari). He lived to a ripe old age and had many pupils, so that his works are often found. A son of his called Mitsuyoshi gave promise of future greatness, but unfortunately died young and few specimens exist from his chisel.
11. Tsūjō, called also Mitsutoshi, was the son of Senjō and grandson of Teijō. He did not belong to the elder branch of the family. Born in 1668, he died 1721. His works are classed among the "three chefs-d'œuvre (san-saku)" His style is somewhat showy. One can almost smell the fragrance of the flowers he chiselled, his birds seem to be on the point of flying or in actual flight, and his human figures smile as though words hovered on their lips. His sculptures are in truth beautiful beyond expression. Chinese annals tell of a puppet presented by a certain artist to a great monarch, and describe how the figure sang and danced automatically. That was a mere mechanical contrivance for the amusement of the moment. Very different is the air of vivid vitality imparted to his sculpture by the master-artist. There is no actual motion to strike the eye of the common observer, but there is a latent force that imparts to everything the element of motion, and creates a precious picture to be for ever esteemed and admired.
12. Jūjō, called also Mitsumasa, son of Tsūjō, was born in 1694 and died in 1742. His work differs from that of
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