Page:Brinkley - Japan - Volume 7.djvu/412

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INDEX

  • sculptures, 117; character of early temples, 148–150; ceremonial splendour, 149.
  • Buncho, chromo-xylographer, 50.
  • Bunrin, painter, 62.
  • Bunzo, mask-carver, 165.
  • Buto Gempachi, sword-decorator, 303.
  • Button for girdle-pendants. See Netsuke.
  • Caricatures, character of Japanese, 36.
  • Castings. See Bronze, Iron.
  • Chamberlain, B. H., on Japanese pictorial art, 15.
  • Champlevé, variety of enamel decoration, 327. See also Enamel.
  • Chiaroscuro. See Light and shade.
  • Chigusa, mask-carver, 166.
  • Chikanobu. See Izeki Jirozaemon.
  • Chikudo Ganki. See Ganki.
  • China, relation to Japanese art, 16–24, 37–40, 78, 367; prehistoric contact with Japan, 98; character of sculpture, 119.
  • Chiselling, varieties of chisels, 229; methods, 241–243, 247, 274. See also Metal-work, Sculpture, Sword-furniture.
  • Chiyo family, sword-decorators, 286.
  • Chō Dense. See Meichō.
  • Choan, Kōami, lacquerer, 360.
  • Chobunsai, chromo-xylographer, 50
  • Chōen, sculptor, 110.
  • Chōhei, lacquerer, 363.
  • Chōho, Kōami, lacquerer, 361.
  • Chōkyu, Kōami, lacquerer, 361.
  • Chosei, sculptor, 110.
  • Chōshiu province, school of sword-decorators, 279.
  • Chōshun, sculptor, 110.
  • Choun Yasuyoshi, Deme, mask-carver, 167.
  • Chromo-xylography. See Wood.
  • Chuen, sculptor, 1 10.
  • Civilisation, Japanese, European attitude toward, 1; gradual influence of the Occident before the Revolution of 1867, 65; ancient, industrial rather than agricultural, 69; prehistoric contact with China and Korea, 98; art instinct, 177; attitude toward art and nature, 225–227.
  • Classical school of pictorial art, characteristics, 38–40; branches, 40. See also Kose school, Pictorial art.
  • Clay statues, technique, 84; famous, 86. See also Sculpture.
  • Cloisonné, variety of enamel decoration, 327. See also Enamel.
  • Colour in art, Chinese use, 22, 24; in religious pictures, 30; in decorations of the Kano school, 42; hand-coloured prints, 47; development of chromo-xylographs, 48–50; Japanese knowledge and use, 56, 160; in interior decorations, 159.
  • Conder, J., on character of Japanese decorative designs, 158.
  • Copper, use in sword-decorating, 236.
  • Costumes. See Sage-mono.
  • Daibutsu, Nara, 85, 132–134; Kamakura, 111, 114, 120.
  • Dansho, mask-carver, 166.
  • Deme family, mask-carvers, 166, 167.
  • Dengyō Daishi, artist-priest, 29, 109.
  • Deva Kings (Shi-Tennō), eighth-century clay statues of, 86; (Ni-ō) temple Kofuku-ji statues, 112; temple Todai-ji statues, 113.
  • Distemper, use in Japanese decoration, 152.
  • Dōchō, Kōami, lacquerer, 345.
  • Door, panel paintings, 3.
  • Dōsei, Kōami, lacquerer, 345, 361.
  • Dragon in Japanese art, 253.
  • Drama, popularity of the No, 162; use of masks, 163; influence on the theatre, 164.
  • Drawing. See Line.

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