a millionaire’s daughter. When the wedding ceremony is over, and the bridal veil is raised from her face, she is discovered to be the same Manorama, only no longer the former drudge, but queenly in her beauty and splendour of dress and ornaments. In her infancy she had been brought up in a poor home, having been kidnapped from the house of her rich father. He, having traced her to her husband’s home, brings her back to him, and celebrates her marriage once again in a fitting manner.
In the concluding scene, when the husband is going through his period of penitence and humiliation, as is fit in a play which has a moral, a sudden disturbance arose among the audience. So long as Manorama appeared obscured in her position of drudgery Gopinath showed no sign of perturbation; but when after the wedding ceremony she came out dressed in her red bridal robe, and took her veil off, when with majestic pride of her overwhelming beauty she turned her face towards the audience and, slightly bending her neck, shot a fiery glance of exultation at Gopinath, applause broke out in wave after wave, and the enthusiasm of the spectators became unbounded.
Suddenly Gopinath cried out in a thick voice,
