Page:Bryan's dictionary of painters and engravers, volume 1.djvu/566

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PAINTERS AND ENGRAVERS.


Dulwich. Gallery, Cattle near a Eiver. And others, Frankfort. Stddel. Portrait of a B07. „ ,, Evening Landscape. Hague. Gallery, A member of the De Roovere Family directing Salmon-fish- ing in the environs of Dordrecht. London JVat. Gall. Landscape, with Cattle and Figures: Evening (o master-piece), „ „ A Man's Portrait (dated 1649). „ „ Horseman and Cows in a Meadow : Evening. „ „ River Scene with Cattle. „ „ Ruined Castle in a Lake. „ „ The Windmills. „ „ Cattle and Figures (the ' Large Dort '). „ „ Cattle and Figures (the * Small Dort'). „ „ Landscape, with Figures on horseback and on foot. HoSr'"" milking a Cow. ,, „ View on the Meuse. „ Buckingham A Herdsman, a Woman, and Palace. j Cattle. ,, „ Landscape with River. „ Bedford Coll. Fishermen on the Ice. „ Holford Coll. View of Dordrecht. Munich. Pinakothek, A Horseman holding a wljite Horse. „ „ Fowls in a Stable. Paris. Louvre, Landscape with Shepherd and six Cows (a masterpiece). „ ,, Starting for a Ride. „ „ The Ride. „ „ Portraits of Children. ,, ,, Portrait of a Man. , , „ Sea-piece. Pesth. Gallery, Landscape and Cattle. „ „ Portraits of Himself and Family. Petersburg. Hermitage. Cows in a Landscape. ,, ,, The Meuse. The Scheldt. „ ,, Cattle in a Landscape. ,, ,, Horses on the Bank of a River. „ ,, Moonlight at Sea. ,, ,, Landscape — Woman with Cows. Rotterdam. Museum. River Scene. ., ,, Interior, with a Forge. ,, Two Grey Horses. Fish. „ ,, Game. ,, „ Poultry. ,, ,, Head of a Cow.

Aelbert Cuyp has left eight small etchings of cowB, which, though not executed with much delicacy or care, evince the hand of the master. They are very scarce.

CUYP, Benjamin, a pupil, and apparently a nephew of Jacob Gerritsz Cuyp, was bom at Dordrecht in 1608, and was received into the Guild there in 1631. He formed his style on that of Aelbert Cuyp, Rembrandt, and Teniers the elder. His subjects are taken from sacred history, coast scenery, and peasant life. His works are rarely met with in public galleries. The following are attributed to him ; Berlin. Gallery. Adoration of the Shepherds. Dresden. Gallery. Peasants playing and singing. Lille. Muaeum. The Resurrection. ,, ,, Portrait of a Young Woman. Petersburg. Hermitage. Peasants quarrelling.

CUYP, Jacob Germtsz, the father of the cele- brated Aelbert Cuyp, and a pupil of Abraham Bloemaert, was bom at Dordrecht in 1575. He occasionally painted views of towns, landscapes, and battle-pieces, but he is principallj' famous for his portraits. He was one of the four founders of the Guild of St. Luke at Dordrecht. He was still living in 1649. The following works are by him :

Amsterdam. Gallery. Berlin. Gallery. Frankfort. Stddel. Munich. Pinakothek Petersburg. Hermitage. Rotterdam. 3fuseuvi. A Dutch Family. Portrait of an Old Woman. 1624. Portraits of a newly-married Couple. Portrait of a Young Man. Portrait of a Lady. View of a Town on a broad River. Two Soldiers sitting at Table, Three Children in a Landscape. 1035. ,, ,, Portrait of an Officer. 1644. „ ,, Portrait of a Lady. 1644.

CUYPERE, Andries de. See Stevens.

CYDIAS, a native of Cythnus, who was living' in B.C. 364, may be presumed to have been a painter of considerable ability, as one of his pictures, representing 'Jason and his followers embarking for Colchis, in search of the Golden Fleece,' was purchased at Rome by the orator Hortensius for twenty-four thousand sesterces, and was afterwards bought by Marcus Agrippa, and placed in the Porticus of Neptune to commemorate his naval victories.

CYL, Gerard van, a painter of Amsterdam or Leyden, who, about the year 1049, produced a number of portraits and conversation pieces in the style of Van Dyck, whom he imitated with deceptive accuracy.

CZECHOWICZ, Simon, was born at Cracow in 1689, and went when quite young to Rome, where he placed himself for improvement under Maratti, and resided during thirty years. After his re- turn he worked principally in Warsaw, but also in Cracow, Wilna, Podhorce, and Polock. He at length entered the order of the Capuchins, and from that time devoted himself wholly to painting for them. He established the first school of painting in Poland. His death occurred at Warsaw in 1775. Some three hundred strictly religious pictures by him have been estimated to exist, of which 107 are in Podhorce Castle, and others in the Jesuits' College at Polock, and the churches of the Piarists and St. Florian at Cracow. His masterpiece is the 'Miracle of the Broken Milk-pot,' at Wilna.

CZERMAK, Jaroslav. See Cermak.

CZERNY, LtJDOVic, an Austrian painter, and professor of the Academy, died at Vienna in January 1889, aged sixty-nine.

END OF VOL. 1


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