are unnecessary and weaken the poem. In an earlier version, the third line of the second stanza was, "All of 'em down from the devil's own fist;" but the amended fancy is much happier. Comparison of the several versions printed since the poem's first appearance will show many changes, and in Allison's opinion, at least, there was good reason for every change.
In my search for Stevensoniana, and latterly for Allisoniana, I have unearthed two other "extensions" of "Fifteen Men," neither of the slightest literary importance, but both of considerable bibliographical importance. In the Chicago Times-Herald, many years ago, appeared an entertaining hoax, captioned "Stevenson's Sailor Song." Nobody signed it, but it was probably the work of some lesser contemporary of Eugene Field. The anonymous newspaper writer, after recalling Stevenson's refrain in "Treasure Island," alleges to have come upon a group of "oldtime sailors" on the Chicago river-front (!), lustily singing at their work on one of the big lake boats; they were "tugging at a hawser." A solo voice carried the main thread of the narrative, the other voices coming in on the refrain; and "here was Louis Stevenson's famous pirate song sung on a peaceful lake liner, with nothing more piratical in sight than the low, long, rakish
