Page:Bury J B The Cambridge Medieval History Vol 2 1913.djvu/221

This page has been proofread, but needs to be validated.
Gothic Art
193

Isidore's work. Alcuin and Theodulf took their inspiration from it, and for jurists it was long one of the principal sources of information concerning the Roman Law before the time of Justinian.

Of the artistic productions which the Visigoths left behind in Spain, there is not much to be said. In addition to the undoubted Byzantine influence, which, however, did not exactly reveal itself through the medium of Visigothic art, since it had its own province like that of other Western countries, it is possible that the work of the Visigoths shewed other traces of Eastern art. We have much information concerning public buildings — palaces, churches, monasteries, and fortifications — built during the Visigothic period, and more especially during the reigns of Leovigild, Recared, Receswinth, etc. But none of these buildings have come down to us in a state of sufficient preservation to enable us to state precisely the characteristic features of the period. The following buildings, or at least some part of them, have been assigned to this period: the churches of San Roman de la Hornija, and San Juan de Baños at Palencia; the church of San Miguel de Tarrasa, and possibly the lower part of Cristo de la Luz at Toledo; the cathedral of San Miguel de Escalada at Leon; Burguillos and San Pedro de Nave, and a few other fragments. It is also thought that there are traces of Visigothic influence in the church of St Germain-des-Près at Paris, which was built in 806 by Theodulf, bishop of Orleans, a native of Spain. But the capitals found at Toledo, Mérida, and Cordova, and, above all, the beautiful jewels, votive crowns, crosses, and necklaces, of gold and precious stones discovered at Guarrazar, Elche, and Antequera, must assuredly be attributed to the Visigoths. We possess numerous Visigothic gold coins, or rather medals struck in commemoration of victories and proclamations, modelled on the Latin and Byzantine types and roughly engraved. They furnish information concerning several kings whose names do not occur in any known document, and who must probably be regarded as usurpers, rebels, or unsuccessful candidates for the throne, such as Tutila or Tudila of Iliberis and Mérida, and Tajita of Acci, who are supposed to belong to the period between Recared I and Sisenand, and Suniefred or Cuniefred, who possibly belongs to the time of Receswinth or Wamba.