of Adam and Eve in very palpable flesh tights, with garlands of fig leaves festooned about their bodies.
Adam, with an elaborate false beard, slept under a tree. Then to the accompaniment of the choragus' explanation a mechanical snake appeared in the branches with an apple in its mouth. An unseen person off the stage made the snake twist and writhe. Eve put out her hand, took the apple, and ate a bit. Adam waking, she pointed to the tree and to the fruit, offering him a piece. He demurred in pantomime, but accepted and swallowed what was left of the apple. Instantly there appeared at the wing an angel with a long, flaxen wig, who threatened the guilty pair with a tinsel sword. They cowered, and then shading their eyes with their hands, were walking sadly away when the curtain fell. It was tableau number one, showing the fall of man.
The audience on the whole received the exhibition with devotional reverence, but a knot of young men openly tittered and jeered, commenting satirically upon the deficiencies in the stage management. Then, with more music, began the scenes from the New Testament. One was rather pretty, introducing the woman at the well, Christ being impersonated by a sweet-faced young man in white, with a light brown wig and beard. The girl who played the Virgin was not more than twenty, and had a serene prettiness, with an air of grave modesty, which were very attractive. She wore her own long hair falling like a mantle over her dark dress as far down as the knees.
Each scene lasted perhaps five minutes, the characters on the stage speaking no word, but opening
