señoritas, while White posed conspicuously in the higher regions of art.
Two weeks after their arrival, the scheme began to bear fruit. An aide-de-camp of the president drove to the hotel in a dashing victoria. The president desired that Sefior White come to the Casa Morena for an informal interview.
Keogh gripped his pipe tightly between his teeth. “Not a cent less than ten thousand,” he said to the artist—“remember the price. And in gold or its equivalent—don’t let him stick you with this bargain-counter stuff they call money here.”
“Perhaps it isn’t that he wants,” said White.
“Get out!” said Keogh, with splendid confidence. “I know what he wants. He wants his picture painted by the celebrated young American painter and filibuster now sojourning in his down-trodden country. Off you go.”
The victoria sped away with the artist. Keogh walked up and down, puffing great clouds of smoke from his pipe, and waited. In an hour the victoria swept again to the door of the hotel, deposited White, and vanished. The artist dashed up the stairs,
