remote from the normal for words to tell their story. I may have strayed for a moment into that Garden of the Divine Mind where, as it is said in Genesis, "He made every flower before it was in the field and every herb before it grew." My failure to find words to express what I experienced made me concentrate more intensely upon the relation of form and colour to consciousness in the hope that analysis might make intellectual exposition possible. I do not wish to linger too long on the analysis I made. The message of nature is more important than the symbols used to convey it, and, in detailing these correspondences, I feel rather as one who reading Shelley's "Hymn of Pan" ignored all that ecstasy and spoke merely of spelling or verse structure. But why do I say that? The works of the Magician of the Beautiful are not like ours and in the least fragment His artistry is no less present than in the stars. We may enter the infinite through the minute no less than through contemplation of the vast. I thought in that early ecstasy of mine when I found how near to us was the King in His Beauty that I could learn to read that marvellous writing on the screen of Nature and teach it to others; and,
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