Made roaring chords and acrobatic runs—
To charge his fingers and the strings, he said,—
And then, with his kind eyes on Killigrew,
Struck up the schoolgirls' march in Lohengrin,
So Killigrew might smile and stretch himself
And have to light his pipe. When that was done
We knew that Morgan, by the looks of him,
Was in the mood for almost anything
From Bach to Offenbach;—and of all times
That he has ever played, that one somehow—
That evening of the day the Captain died—
Stands out like one great verse of a good song,
One strain that sings itself beyond the rest
For the magic and a glamour that it has.
The ways have scattered for us, and all things
Have changed; and we have wisdom, I doubt not,
More fit for the world's work than we had then;
But neither parted roads nor cent per cent
May starve quite out the child that lives in us—
The Child that is the Man, the Mystery,
The Phœnix of the World. So, now and then,
That evening of the day the Captain died
Returns to us; and there comes always with it
The storm, the warm restraint, the fellowship,
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