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XXII]
CROSSING THE LINE.
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lights. Green lights. Distant rumble heard. Enter a passenger-train!"

And in another minute the train drew up alongside of the platform, and a stream of passengers began to flow out from the booking office and waiting-rooms.

"Did you ever make real life into a drama?" said the Earl. "Now just try. I've often amused myself that way. Consider this platform as our stage. Good entrances and exits on both sides, you see. Capital background scene: real engine moving up and down. All this bustle, and people passing to and fro, must have been most carefully rehearsed! How naturally they do it! With never a glance at the audience! And every grouping is quite fresh, you see. No repetition!"

It really was admirable, as soon as I began to enter into it from this point of view. Even a porter passing, with a barrow piled with luggage, seemed so realistic that one was tempted to applaud. He was followed by an angry mother, with hot red face, dragging along two screaming children, and calling, to some one behind, "John! Come on!" Enter John,