a poem against Wolsey, who had ordered the burning of Tyndal's New Testament; it is called—
Rede me, and be not wrothe,
For I saye no thynge but trothe."
In this work he placed on the title a coat of arms for Wolsey in black and crimson, with a description in verse at the back of the title, of which the following stanza, alluding to the deaths of the Duke of Buckingham (the swan), and the Duke of Norfolk (the white lion), may serve as a specimen:—
"Of the proude Cardinall this is the shelde,
Borne up betweene two angels of Sathan,
The sixe bloody axes in a bare felde
Sheweth the cruelty of the red man,
Which hath devoured the beautiful swan,
Mortal enemy of the white lion,
Carter of York, the vile butcher's sonne."
The burning of Tyndal's New Testament is denounced by Roy in many verses of the bitterest feeling, every stanza repeating his indignation at the unhallowed fact:—
"O miserable monster, most malicious
Father of perversitie, patron of hell!
O terrible tyrant, to God and man odious,
Advocate of antichrist, to Christ rebell;
To thee I speak, O caytife cardinall so cruell,
Causeles chargynge by thy coursed commandment
To burne Godde's worde, the wholly Testament."
Besides these satirists there was John Heywood, in the time of Henry VIII., Edward, and Mary, who wrote "Six Centuries of Epigrams," of a pious nature, a considerable number of plays, and an allegory called "The Spider and the Fly." Of course, he was a favourite with Henry and Mary, and is said to have been more amusing in his conversation than in his books. Heywood has the honour commonly assigned him of being the first author of interludes; the stepping-stones from the old mysteries and moralities to the regular drama. With the Church passed away these grotesque performances called religious; and the drama quickly expanded in all its fair proportions before the eyes of the public. Shakespeare arose, and the dates of the appearance of his plays show us that they were many of them produced before 1603, the close of the reign of Elizabeth. In fact, Shakespeare seems to have retired from the stage in the very year of Elizabeth's death. Before him, however, a number of dramatic writers had appeared; but as the greater part of them overlived the termination of Elizabeth's reign, or their works began after that period to take their due rank, we propose to defer the full consideration of the dramatic authors till the next centennial. We may here, however, mention the chief of these dramatic writers. Heywood had been preceded by Skelton in the line of interlude, whose strange "Nigro-mansia" was printed by Wynkyn de Worde as early as 1505. Heywood wrote various interludes, but his chief one was the "4 P's," namely, a Palmer, a Pardoner, a Poticary, and a Pedlar. On the heels of this appeared the first regular comedy, "Gammer Gurton's Needle," written by John Hill, and printed in 1551. Ten years after appeared the first English tragedy, "Gorboduc," written by Thomas Norton and the celebrated poet Thomas Sackville, afterwards Lord Buckhurst and Earl of Dorset. Passing over the "Damon and Pythias" of Richard Edwards, the "Promos and Cassandra" of George Whetstone, which, borrowed from an Italian novel, contains the rude outline of Shakespeare's "Measure for Measure," we come to Robert Greene, who with Kyd, Lyly, Peele, Nash, author of "Queen Dido," and Marlowe, constituted a remarkable constellation of genius. Greene's chief plays are "Friar Bacon and the Friar of Bungay," and "A Looking Glasse for London," written in conjunction with his friend Thomas Lodge. He also wrote much poetry. The principal dramas of George Peele are "David and Bethsabe, with the Tragedy of Absolon," written in 1579, which is a real mystery play, and "The Famous Chronicle of Edward I.," "The Old Wives' Tales, a Comedy," &c.
Lyly, the Euphuist, wrote nine plays, amongst them "Alexander and Campaspe," "Sappho and Phaon," "Midos," "Gallathea," &c. Lyly, as it will be seen, was fond of Greek subjects, but he could also enjoy English comedy, as in "Mother Bombie," and others; which are regular comedies, divided into acts and scenes, and interspersed with agreeable songs. Contemporary with the preceding, as well as with Shakespeare, Marlowe is the greatest name which precedes that of the supreme dramatist. We can do no more here than name some of his chief tragedies, for Marlowe was essentially a tragedian. These were "Tamburlaine the Great," in two parts, "The Massacre of Paris," "Edward II.," including the fall of Mortimer and Gaveston, "Doctor Faustus," "The Rich Jew of Malta," and "Lust's Dominion; or, the Lascivious Queen." Marlowe was, moreover, a beautiful lyrical poet, as is evident by his charming madrigal "Come, live with me and be my love," given in Walton's Angler. Greene, Peele, Marlowe, Nash, and that whole company were extremely dissipated in their lives, and lived and died in deep poverty. To these we must add, as dramatic poets of this era, but whom it will be essential to our continuous view of the progress of the drama to dismiss with the rest. Decker; Kyd, author of "Joronimo," and the "Spanish Tragedy;" Lodge, author of "The Wounds of Civil War," &c.; Gascoine; Chapman, also the celebrated author of the translation of Homer; Jasper Heywood, son of John Heywood; Weston, Marston, &c. So much was the drama now advanced in estimation, that even Elizabeth's Lord Chancellor, Hatton, was in part author of the tragedy of "Tancred and Sigismunda," founded on the story of Boccaccio.
Amongst the lyrical poets, the reign of Henry VIII. presents us with a remarkable trio, who were associated as well by their genius as their position and fate. These were Sir Thomas Wyatt, the early lover of Anne Boleyn, her brother, George Boleyn, afterwards the unfortunate Earl of Rochford, and the equally unfortunate Henry Howard, Earl of Surrey, the last victim of the sanguinary Henry VIII. Surrey was the cousin-german of the Boleyns, Wyatt was their early neighbor and play-fellow; together they all figured amongst the most accomplished courtiers; two of them lost their heads, the third only narrowly escaping; and their poetry was printed together in one volume.
Sir Thomas Wyatt (called the Elder, to distinguish him, from his son of the same name, who was executed for rebellion in the reign of Queen Mary) was one of the most distinguished men of the Court of Henry VIII. His country-house was Allington Castle, in Kent, and its.
