Guarini's "Pastor Fido." Another translator from Greek and Spanish was Thomas Stanley, the learned editor of Æschylus, and the author of "The History of Philosophy."
Besides these may be mentioned Bulteel, a popular song write; Philip Ayres, a lyrical poet; Dr. Henry More, author of a poem, "The Life of the Soul," in Spenserian stanzas; Flatman, an imitator of Cowley; and some others.
The dramatic writing of the period was rather voluminous than first-rate. Davenant wrote above twenty plays, masks, &c.; but the most eminent dramatists were the unfortunate Otway, Nathaniel Lee, Sir George Etherege, Wycherley, Crowne, Southerne, and Jasper Mayne. Otway's "Orphan" and "Venice Preserved" still maintain their fame; he wrote altogether ten plays. Nathaniel Lee wrote ten tragedies, a great mixture of talent and bombast. The most celebrated of them are his "Theodosius" and his "Rival Queens." Crowne wrote seventeen plays, in which the selections made by Charles Lamb in his "Dramatic Specimens," show that there exists perhaps the most pre-eminent dramatic genius of the age. Etherege is the author of three comedies of great polish and brilliancy, and set the pattern for Wycherley, and for Congreve, Farquhar, and Vanbrugh in the next period. Wycherley wrote four comedies equally remarkable for vigour and indecency. In fact, it is scarcely necessary to repeat that the whole of the dramatic literature of this period is perfectly measled and gangrened with the coarsest and most revolting sensuality and obscenity. Southerne belongs properly to the next era, as he produced only two of his plays during this period—his tragedy of "The Loyal Brother," and his comedy of "The Disappointment." Shadwell and Settle inundated the stage with worthless plays; and Mrs. Aphra Ben, a courtesan as well as writer, is the author of a whole host of comedies, novels, and poems. Of Jasper Mayne's two comedies—who, by-the-bye, was a clergyman—"The City Match" is the best. Perhaps we ought not to close this review of the poets without a mention of the most successful poetaster of the age, Nahum Tate, who was in such estimation as to be allowed to supply our churches with his most wretched version of the Psahns, and to be employed by Dryden to continue his satire of "Absalom and Acliitophel."
Scene from the Hudibras.
PROSE WRITERS.
At the head of the prose writers of this period as of the poets, we must place Milton. Though his writings are for the most part on controversial subjects, they were subjects of that immense importance that they acquired a lasting value. They bear a certain relation to his poetry. That in its highest exhibition celebrated the triumph of the Deity over the powers of evil; his prose writings again were employed to support the struggle of liberty against the advocates of all political evil—absolutism. Poetry seemed to have become the habitual expression of his mind, and, therefore, there is in his prose style a certain awkwardness and stiffness. He moves like David in armour that he had not
