singing hymns to a monotonous accompaniment upon a leather instrument called tappai (tabret). Some Sūdra castes engage them thus to chant in front of the corpse at funerals, and many, accompanying bands of pilgrims travelling to Tirupati, stimulate their religious excitement by singing sacred songs. A few, called Yerudāndis, (q.v.), take possession of young bulls that have been devoted to a swāmi, and teach them to perform tricks very cleverly. The bulls appear to understand what is said to them, and go through various antics at the word of command. Some Dāsaris exhibit what is called the Panda Sērvai performance, which consists in affecting to be possessed by the spirit of the deity, and beating themselves all over the body with a flaming torch, after covering it probably with some protecting substance.In such modes do they wander about and receive alms,each wearing as a distinction a garland of beads made of tulasi (Ocimum sanctum) wood. Every Dāsari is a Tengalai. They have six sub-divisions, called Balija, Janappa, Palli, Valluva, Gangeddula, and Golla Dāsaris, which neither eat together nor intermarry. As these are the names of existing and distinct castes, it is probable that the Dāsaris were formerly members of those classes, who, through their vagabond tastes, have taken to a mendicant life. Beyond prohibiting widow remarriage, they have no social restrictions."
Concerning the mendicants of Anantapur, Mr. W.Francis writes*[1] that "the beggars who are most in evidence are the Dāsaris. This community is recruited from several castes, such as the Kāpus, Balijas, Kurubas, Bōyas, and Mālas, and members of it who belong to the last two of these (which are low in the social scale) are
- ↑ * Gazetteer of the Anantapur district.
