day during the annual festivities of Draupadi and other goddesses, is borne on the head of a Vanniya. Also, in dramatic plays, the king personae (sic) has always been taken by a Kshatriya, who is generally a Vanniya. These peculiarities, however, are becoming common now-a-days, when privileges peculiar to one caste are being trenched upon by other caste men. In the Tirupporur temple, the practice of beating the mazhu (red-hot iron) is done by a dancing-girl serving the Vanniya caste. The privilege of treading on the fire is also peculiar to the Vanniyas." It is recorded by Mr. Francis *[1] that, in the South Arcot district, "Draupadi's temples are very numerous, and the priest at them is generally a Palli by caste, and Pallis take the leading part in the ceremonies at them. Why this should be so is not clear. The Pallis say it is because both the Pāndava brothers and themselves were born of fire, and are therefore related. Festivals to Draupadi always involve two points of ritual — the recital or acting of a part of the Mahābhārata and a fire-walking ceremony. The first of these is usually done by the Pallis, who are very fond of the great epic, and many of whom know it uncommonly well. [In the city of Madras there are several Draupadi Amman temples belonging to the Pallis. The fire-walking ceremony cannot be observed thereat without the help of a member of this caste, who is the first to walk over the hot ashes.]
Kūvvākkam is known for its festival to Aravān (more correctly Irāvān) or Kūttāndar, which is one of the most popular feasts with Sūdras in the whole district. Arāvan was the son of Arjuna, one of the five Pāndava brothers. Local tradition says that, when the great war
- ↑ * Gazetteer of the South Arcot district.
