Page:Catalog of Copyright Entries 1950 Motion Pictures And Filmstrips Jan-Dec 3D Ser Vol 4 Pts 12-13.djvu/35

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MOTION PICTURES AND FILMSTRIPS

problems.

Credits: Educational collaborator, Harold Fawcett.

HOW TO OBSERVE. Coronet, 1950. 11 min., sd., b&w, 16mm.

Summary: Demonstrates the importance of observation as basic to learning the sciences and the arts, and shows how observation can be developed as a skill which can be improved through applied and guided practice. For junior and senior high school, college, and adult groups.

Credits: Educational collaborator, Herbert Sorenson.

HOW TO THINK. Coronet, 1950. 14 min., sd., b&w, 16mm.

Summary: Presents some of the important kinds of thought-processes which contribute to problem-solving thinking. For junior and senior high school, college, and adult groups.

Credits: Educational collaborator. Carter Davidson.

HOW TO WORK WORDS IN YOUR READER'S MIND. Readability Associates, 1950. Filmstrip, 83 frames, b&w, 35mm.

Summary: Demonstrates the reasons that much prose writing is not fully understood and shows the need for the selection of clear and concise words.

HOW WE COOPERATE. Coronet, 1950. 11 min., sd., b&w, 16nam.

Summary: Shows what cooperation is and the values to be derived from it. Illustrates the importance of cooperation in everyday living. For intermediate and junior high school grades.

Credits: Educational collaborator, I. Owen Foster.

HOW WE GET OUR ALUMINUM. Young America Films, Inc., with the cooperation of The Aluminum Association, 1950. Filmstrip, 48 frames, b&w, 35mm.

Summary: Shows how bauxite deposits are located; how bauxite is mined, refined, and converted into aluminum; how aluminum alloys are produced; and how aluminum products are used today.

HOW WE GET OUR COAL. Key Productions, Inc., with the cooperation of the Anthracite Institute, 1950. Filmstrip, 46 frames, b&w, 35mm.

Summary; Shows how coal is mined and prepared for sale to the consumer.

HOW WE GET OUR COFFEE. Young America Films, Inc., with the cooperation of The National Coffee Association. 1950. Filmstrip, 44 frames, b&w, 35mm.

Summary: Shows where coffee is raised, how it is grown and harvested, and how the raw beans are prepared for market.

HOW WE GET OUR COPPER. Young America Films, Inc., with the cooperation of The Copper & Brass Research Association, 1950. Filmstrip, 44 frames, b&w, 35mm.

Summary; Shows where copper is found and how it is mined. Follows the crude ore from the mine through the smelter, refinery, and fabricating mill to the finished product.

HOW WE GET OUR COTTON. Young America Films, Inc., with the cooperation of The Textile Information Service, 1950. Filmstrip, 47 frames, b&w, 35mm.

Summary: Shows where cotton is grown; how it is harvested, ginned, and baled; how cotton textiles are manufactured; and how the various cotton products are utilized.

HOW WE GET OUR IRON AND STEEL. Young America Films, Inc., with the cooperation of the American Iron & Steel Institute, 1950. Filmstrip, 42 frames, b&w, 35mm.

Summary: Follows the course of iron ore from the mine to the finished steel product.

HOW WE GET OUR RUBBER. Young America Films, Inc., with the cooperation of The United States Rubber Co., 1950. Filmstrip, 48 frames, b&w, 35mm.

Summary: Pictures the rubber tree belt; shows how the trees are tapped, how the sap is converted into solid bales for shipment, how synthetic rubber is made, and how both synthetic and natural rubber are used in the manufacture of various articles.

HUMAN BEGINNINGS. Lester F. Beck, 1950. Made in cooperation with the elementary schools of Eugene, Oregon, the Walt Whitman School, New York City, and the Presbyterian Hospital, New York City. 22 min., sd., color, 16mm.

Summary: An educational film designed to help six-year-old children understand their relationship to a new baby in the family.

Credits: Research, script, and technical supervision by Lester F. Beck; producer, Eddie Albert; director, Victor Solow; editor, Jean Oser.

HUMAN RELATIONS IN SELLING. (Aggressive Selling Series) Rockett Pictures, Inc., 1949. Filmstrip, 95 frames, b&w, 35mm.

Summary: A training film for salesmen, stressing the importance of personality and relationships with people.

Credits: Author, William H. Gary.

HUMAN RELATIONS IN SUPERVISION. Filmstrips in this series, produced by the Armstrong Cork Co., are entered separately under their respective titles.

THE HUMAN TOUCH. General Television Enterprises, Inc., 1949. 1 reel, sd., b&w, 16mm.

Summary: An aging actor inadvertently proves to a doubting producer that he is qualified to fill an important role in a new play.

Credits: Producer and director, Joseph Santley; screenplay, Oliver Crawford; film editor, Victor C. Lewis.

HUMPHREY TAKES A CHANCE. SEE Joe Palooka in Humphrey Takes a Chance. LP164.

HURDY-GURDY HARE. (Bugs Bunny Special) Warner Bros. Cartoons, Inc., 1948. 7min., sd., color, 35mm.

Credits: Director, Robert McKimson; story, Warren Foster; animation, J. C. Melendez, Emery Hawkins, Charles McKimson, John Carey, Phil DeLara; music, Carl Stalling.

Summary: Describes the Chevrolet hydraulic brakes and explains to salesmen how to compare them to the brakes of the Ford and Plymouth cars.

HYPNOTIC BEHAVIOR. Lester F. Beck, 1949. 20 min., sd., b&w, 16mm.

Summary: A demonstration of hypnosis, showing the behavioral differences between two subjects in response to the same suggestions. Designed for college classes in general and abnormal psychology and lay groups interested in psychological and psychiatric problems.

I

THE IBM PROOF MACHINE. International Business Machines Corp., 1950. Filmstrip, 45 frames, color, 35mm.

Summary: Explains the features of the IBM Proof Machine and demonstrates how it sorts, lists, proves and endorses documents simultaneously.

I WAS A SHOPLIFTER. Universal Pictures Co., Inc., 1950. 74 min., sd., b&w, 35mm.

Summary: In order to bring a ring of shoplifters to justice, a sheriff's undercover agent makes use of a kleptomaniac debutante who has become involved with the gang.

Credits: Producer, Leonard Goldstein; director, Charles Lamont; story and screenplay, Irwin Gielgud; music director, Milton Schwarzwald; film editor, Otto Ludwig. Cast: Scott Brady, Mona Free- man, Andrea King, Anthony Curtis, Charles Drake.

ILLUSTRATIONS OF THE HOLY SCRIPTURES. Herbert E. BudekCo., Inc.. 1949. Filmstrips, b&w, 35mm.

Summary: A series of six filmstrips illustrating the Scriptures. Old Testament: 1. From the Creation of the World to Joseph. 46 frames.—2. From Moses to Sampson's Death. 41 frames.—3. From the Rescue of the Tribe of Benjamin to Josias. 44 frames.—4. From the Destruction of Jerusalem to Judas Machebeus. 40 frames.—New Testament: 1. From the Conception of St. John the Baptist to the Woman Taken in Adultery. 44 frames.—2. From the Raising of Lazarus to the Apocalypse. 42 frames.

Credits: Illustrations by Schnorr von Carolsfeld.

THE IMP IN THE BOTTLE. Pyramid Productions, Inc., 1950. 2 reels, sd., b&w, 16mm. Based on Robert Louis Stevenson's story, "The Bottle Imp."

Summary: An accursed bottle, that satisfies its owner's worldly wishes but dooms his soul, changes hands often until one man's overwhelming greed ends its evil potency.

Credits: Producer, director, and author of screenplay, Frank Wisbar.

IMPROVE YOUR HANDWRITING. Coronet, 1949. 11 min., sd., b&w, 16mm.

Summary: Illustrates five important

factors in good handwriting—slant, spacing.

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