For some reason, Claude began to think about the far-off times and countries it had shone upon. He never thought of the sun as coming from distant lands, or as having taken part in human life in other ages. To him, the sun rotated about the wheatfields. But the moon, somehow, came out of the historic past, and made him think of Egypt and the Pharaohs, Babylon and the hanging gardens. She seemed particularly to have looked down upon the follies and disappointments of men; into the slaves' quarters of old times, into prison windows, and into fortresses where captives languished.
Inside of living people, too, captives languished. Yes, inside of people who walked and worked in the broad sun, there were captives dwelling in darkness,—never seen from birth to death. Into those prisons the moon shone, and the prisoners crept to the windows and looked out with mournful eyes at the white globe which betrayed no secrets and comprehended all. Perhaps even in people like Mrs. Royce and his brother Bayliss there was something of this sort—but that was a shuddery thought. He dismissed it with a quick movement of his hand through the water, which, disturbed, caught the light and played black and gold, like something alive, over his chest. In his own mother the imprisoned spirit was almost more present to people than her corporeal self. He had so often felt it when he sat with her on summer nights like this. Mahailey, too, had one, though the walls of her prison were so thick—and Gladys Farmer. Oh, yes, how much Gladys must have to tell this perfect confidant! The people whose hearts were set high needed such intercourse—whose wish was so beautiful that there were no experiences in this world to satisfy it. And these children of the moon,
