XII
The afternoon sun was pouring in at the back windows of Mrs. Farmer's long, uneven parlour, making the dusky room look like a cavern with a fire at one end of it. The furniture was all in its cool, figured summer cretonnes. The glass flower vases that stood about on little tables caught the sunlight and twinkled like tiny lamps. Claude had been sitting there for a long while, and he knew he ought to go. Through the window at his elbow he could see rows of double hollyhocks, the flat leaves of the sprawling catalpa, and the spires of the tangled mint bed, all transparent in the gold-powdered light. They had talked about everything but the thing he had come to say. As he looked out into the garden he felt that he would never get it out. There was something in the way the mint bed burned and floated that made one a fatalist,—afraid to meddle. But after he was far away, he would regret; uncertainty would tease him like a splinter in his thumb.
He rose suddenly and said without apology: "Gladys, I wish I could feel sure you'd never marry my brother."
She did not reply, but sat in her easy chair, looking up at him with a strange kind of calmness.
"I know all the advantages," he went on hastily, "but they wouldn't make it up to you. That sort of a—compromise would make you awfully unhappy. I know."
"I don't think I shall ever marry Bayliss," Gladys spoke in her usual low, round voice, but her quick breathing showed he
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