the left, both on the second atep of Ihe throne. The extent of thte prelate's jurisdiction ia limited exclu- sively to the reception rooms of the pope, from the first anticamera to the private apartments. He has also someancient privileges, whicn may be read of in Hum- phrey, "UrbB et OrbiB".
flee old workfl on the Ronun Curia; also OrrarvAia CoUQlicai Hdhpbret. Urbi tl OrMs (lAQdon. 18»9), 124-31; Die KalAo- titclu Kirche muerer ZeU, 1 (Bcriiu. IBBO) , 278.
Paul Hasia. BADuaASTEN.
Hftfld, Bernardino, poet, orator, and antiqua- rian, b.at Bergamo, 27 Jan., 1514id.atRonie, 1 Aug., 1649. He studied juriapnidenco at Padua, and dur- ing the frequent absence of Dandino act«d as seere- tary to Cardinal Atcesandro Fameae, and later to Paul III, On 12 March, 1547, he was made Bishop of Masaa Maritima, then Archbishop of Chieti, and on S April, 1549, raised to the purple. Hewason intimate t«nns with St. Ignatius Loyola and was highlv es- teemed by Juliuslll. His commentary on the Let- ten of Cficcro" is one of the best. He also wrote: " De inscriptionibus ct tmaginibus veterum numisma-
PF0LriaXireAmIsr..».v,;CiAcOKiD»,Vii»rfHMS.KaP.P., in, 737; Ram.Quar1alKliA/t (1007), SO; Bvami.NanencJiUor:
Francis Mersbuan.
HaSol, Fkancehco, Italian painter, b. at Vicensa; d. at Padua, 1660. His influence upon the art of his own and later times bos not been sufficient to attach much interest to the details of his life. Hts celebrity Is due to the lar^ number of ^nerally pleasing pic- tures by him, atiJI to be seen in the churches of his native Viccnza and many towns of Lombard;
15IS), an encyclopedia of all subjects known at that
time, prepared with great care, but not always with
the b^t judgment. It ooosist^ of three parts; in the
first, "Geography", he writ«a extensively of the Span-
iards and of the
Portuguese; the
especially, to the
contemporaneous
history of tiiat
time; the third
part is devoted
to "Philology",
HalTci's lives of
Sixtus IV, Inno-
cent Vm, Alex-
ander VI, and
Pius III, which
appear .
p«ndix
"£
rdy.
if Peranda, but modelled his work u]
that of Veronese, which shows itself in a certain opu-
i a pupil of F
it of Veronese
lence of colouring. Unfortunately his work has been
very ill preserved, whether as the result of hurried ex-
ecution, or of faulty methods in the mixing of his
^gments. Thisisparticularlyapparent in his"Para-
aise" in the church of San Francesco at Padua. His
"St. Anne" at San Michele, Vieenia, is probably
one of the best expressions of his poetical fancy
and colour-sense. He was among those painters of
bis period who gave an impetus to the still young
art of engraving by copying his own work in that
mediimi.
EL Macpherbon.
Haffel, Raffaelo, humanist, historian, and theo- logian, b. 17 February, 1451; d. 25 January, 1522, f& was a native of Volterra, Italy, and therefore is called Raphael Volaterranus. From earliest youth he devoted himself to the study of letters, and in 1466 was called to Rome, with his brothers, by their father, Qherardo MafFci, whom Pius II had appointed pro- fessor of law at the University of Rome, and had taken later for his secretary, which position he held also under Paul II and Sixtus IV. At Rome, Raffaelo hdd himself aloof from the court, devoting his time to the practice of piety and to the study of philosophy, of theolo^, and of the Greek language, the latter under George of Trebiiond. In 1477, he went to Hungary with Cardinal I»uis of Aragon, on the latter's mission to Matthias Corvinus. Upon his return, RaSaelo was persuaded by the Blessed Gaspare da Firenie not to become a Minor Observant, as Raffaelo intended to do; whereupon he married, and established his resi- dence at Volterra. The remainder of his life was spent in study, in the practice of piety and of penance, and in the exercise of works of chanty; in his own house, he established an accndemia, in which he gave lec- tures on philosophy and on theology, while he founded the Clarisse monastery of Volterra. He died in the odour of sanctity: and, contrary to his desire, his brother erected to his memoi? a splendid monument, the work of Fra Angeb da Hontorsolt.
i'iat
which wer< published s rately (Ve:
1518), are taken from the "Commentarii"; in them, Maffei blames unsparingly V>e disordered life of the Roman court. At Volterra, he wrote a compen- dium of philosophy and of theology, "De institu- tione Christiana" and "De prima philosophia" (Rome, 1518) in which he rather follows Scotus. He translated, from the Greek into Latin, the "Odys- sey" of Homer, the "(Economics" of Xenophon, the "Gothic War" of Procopius, "Sermones ct tractatus S. Basilii", some sermons of St. John of Damascus and of St. Andrew of Crete; he also wrote the "Vita B. Jacobi de Certaldo". On the other hand, he was in epistolary communication with popes, cardinals, and other learned men. The manuscript of the work which be called "Peristromata" remained incomplete; it went to the Biblioteca Barlieriniona.
The elder brother of Mallei, Antonio, was involved in the conspiracy of the Pazii. Another brother, Mario, was a man of great culture. He was nuncio to France and, later, prefect of the building of St. Peter's (1507), regent of the penitentiaries, and Bishop, first, of Aquino (1516) and then of Cavailion; he died on 23 June, 1537.
FAI.CONC1NI,- Vita dtl nebU uomo e gran imn di Dio, BagofHo Maffri (Home, 1T22); OiBmalr dilla LeUmUura Irol.. XXIX.
- 49»q. (under Mario Magri).
U. Bbnigni.
Hagand, ANTomE-DouiNiovF, French painter, b.
at Marseilles 1817; d. there. 18<J9. He studied in
Paris under I>6oii Cogniet. The most important of
his works are at Marseilles, where he presided over the
Ecole des Beaux Arts so successfully that he was en-
titled to be called its second founder. Magaud's tal-
ent was universal; his portraits, and especially that of
himself, are remarkable; then be took up landscape
painting, and has left us among others " A view taken
from St. Martha's" near Marseilles; his genre paint-
ing include a famous " Bashi-Baiouk caUing up
Spirite ". But it is principally ia his decorative com-
positions that his real greatness is shown. In Mai^
seillee he decorated the Cafg de France, the Chamber
of Commerce, the Library, the Grand-H6tel, the Pre-
fecture. His masterpiece in work of this kind is the
historical ^llery of the Marseilles Religious Associa-
tion. This gallery comprises fifteen canvases, four
metres by two, and a ceding nine metres. The sub-
ject to be treated was a pictorial glorification of the
benefits of Christian civiliiation. The main theme ia
