the portal, is wider than the other wide ones, while at each end a column is necessarily paired with a pilaster. The plain wall of the upper stories is uniformly rusticated and smooth-faced. The windows of the principal story are framed with mouldings of quiet classic profiling, have simple cornices on consoles, and are ranged on a podium with a ressaut under each window.
Fig. 62.—Portico of the Massimi, Rome.
Above are two tiers of small oblong rectangular windows with cartouche frames. The details of this façade have great refinement, and show the influence of Alberti. The Roman Doric order of the portico has much simple beauty. The entasis of the columns is more moderate than is common in later Renaissance design, and the light falls on their rounded surfaces, as they stand relieved against the dark void of the porch, with admirable effect. The façade as a whole is monotonous, but it
