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CHURCH ARCHITECTURE
143

arched pseudo-Gothic vaulting, and divided into two parts by a screen across the middle, and into two stories by superimposed orders of pilasters. In each bay of the ground story is a deep round-arched rectangular recess in the thickness of the wall, and over each of these an open gallery with two colonnettes and two small jamb pilasters carrying an entablature over each of

Fig. 81.—East end of Como.

the lateral spaces so formed, and an arch over the central one, an early instance of a form of compound opening that was much used in the architecture of the later Renaissance.[1]

The cathedral of Como affords further illustration of the style of early Renaissance design that is peculiar to north Italy. The building, however, has parts which belong to dif-

  1. Cf., p. 134, the window sometimes called that of Scamozzi.