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ARCHITECTURE OF THE RENAISSANCE
chap.

the time. De l'Orme understood the needs of this life, and was ingenious in providing for them, but such ingenuity constitutes but a small part of an architect's equipment, and may exist

Figure 124

Fig. 124.—Doorway of De l'Orme.

without any artistic aptitude. It is only in so far as such ingenuity is accompanied by a genuine artistic sense that a fine work of art can be produced. De l'Orme undoubtedly worked with a steady regard for what he considered artistic design, but