classic principles. His scheme, as shown in Kent's print (Fig. 134) is as incongruous a mixture as was ever produced by the Elizabethan craftsmen. This front, in its main outline, has to follow the form of the Mediæval structure, with its high nave and low aisles. To this mediæval form the architect has affixed a variety of features derived from Roman, Renaissance, and
Fig. 134.—Front of old St. Paul's by Inigo Jones.
even Egyptian sources. He has crowned the wall with a pseudo-classic cornice surmounted by a steep gable, he has set obelisks on Roman pedestals over the buttresses, affixed reversed consoles to the clerestory walls, and built a Corinthian portico with a balustrade upon its entablature, and completed the scheme with flanking towers crowned with lanterns. It is a thoroughly barbarous composition, which even Walpole complains of as follows: "In
