thrust.[1] Another instance of a similar scheme, and on a larger scale, is that which appears to have formed a part of Arnolfo's design for the cathedral of Florence. This dome was never executed, and our knowledge of it is derived from the well-known fresco in the Spanish chapel of Santa Maria Novella.[2] Here both the dome and the drum are octagonal in conformity with the plan of the part of the building which it covers. The outline (Fig. 4) is slightly pointed, but the sides
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Fig. 4.—Dome of Arnolfo.
are nevertheless so much curved in elevation that a structure of this form would not stand without strong cinctures. It is, however, not unlikely that the fresco painter has given it a more bulging shape than Arnolfo intended. But domes of this character were exceptional in the Middle Ages. The builders of that epoch confined their practice for the most part to the
- ↑ I have not examined the dome of Pisa closely on the spot, but I suppose it is bound with a chain, as we know was the custom at a later time. Cf. Fontana, vol. 2, p. 363.
- ↑ There can be little doubt that the dome represented in this fresco embodies the original project of Arnolfo, though this has been questioned. Cf. Guasti, Santa Maria del Fiore, etc., Florence, 1887, pp. lx-lxi.
