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IV
THE DOME OF ST. PETER'S
51
wide openings, and its inner and outer faces are each adorned with an order of pilasters alternating with free-standing columns in the intervals. The upper wall stands on the inner circumference of the massive lower ring, while an encircling order of Corinthian columns is ranged on its outer circumference, and gives an effect of lightness and elegance to the exterior, which, together with the lantern at the crown of the dome, goes far to disguise the real likeness of the whole to the Pantheon scheme.
![Plan of Bramante's dome, from Serlio, figure 25 from "Character of Renaissance Architecture"](http://upload.wikimedia.org/wikipedia/commons/thumb/8/82/Plan_of_Bramante%27s_dome%2C_from_Serlio_%28Character_of_Renaissance_Architecture%29.png/500px-Plan_of_Bramante%27s_dome%2C_from_Serlio_%28Character_of_Renaissance_Architecture%29.png)
Fig. 25.—Plan of Bramante's dome, from Serlio.
In these changes and additions Bramante was governed by a clear understanding of the exigencies of his project. He was obliged to raise the internal order from the place on the ground