Chapter II.—Etching (continued). FACING
PAGE
St. Peter, from an etching by Callot 64
Four subjects etched by Simon Guillain, from Caracci's
"Cries of Bologna" 68
The Angler, from an etching by Ostade 70
Les Environs de Southampton, from an etching by
Gaucherel, after Dupré 72
À Mèstras, from an etching by A. Queyroy 74
Chapter III.—Wood Engraving.
Samson Slaying the Lion, from a woodcut after Dürer 80
Two woodcuts by Lützelburger, from Holbein's "Dance
of Death" 82
Venus and Cupid, after a woodcut by Jost Amman 84
Illustration of Woodblock by Bewick, and wood engraving
from same 86
Two fable subjects, from wood engraving by Bewick, and
copper engraving by Causé 88
Chapter IV.—Wood Engraving. The Victorian Facsimile
School.
The Dipping Place, from a wood engraving, by Dalziel,
after Birket Foster 94
Cleopatra, from a wood engraving by Dalziel, after
F. Sandys 98
Until her Death, from a wood engraving by Dalziel,
after F. Sandys 100
The Dervise, from a wood engraving by Dalziel, after
A. Boyd Houghton 104
The Withered Flower, from a wood engraving by Dalziel,
after A. Boyd Houghton 106
Madam Blaize, from a wood engraving by Dalziel, after
G. J. Pinwell 108
The Great God Pan, from a wood engraving by Dalziel,
after Leighton 110
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